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Sure he has the famous mask and is draped in black attire, but he’s just too polished, clean and nice looking. With all that said, the one thing I could never get behind was the overall look and design of the Phantom in this movie. I don’t mean to slam Michael Crawford because he’s got a phenomenal singing voice, but personally, I just didn’t think his vocals worked for the character. I also like the effort to make the Phantom more intimidating with a deeper, more baritone singing voice as opposed to the high pitch voice of Michael Crawford from the Broadway musical. To be fair I think he sounds a lot better than most other celebrities that are hired on to musicals because of their popularity, and not due to any real singing talents. well, Gerard Buttler never had any singing experience prior to this film, and it kind of shows. In the end, it becomes a classic tale of recognizing the ugliness within ones soul, and identifying what makes a man a monster.Īs for his singing voice. Now it’s a battle between lovers with the Opera house caught in the middle. Soon an old friend from Christine’s child hood named Raoul arrives at the Opera house, and it doesn’t take long before the two of them form a relationship of their own, which enrages the Phantom. Over time the mysterious Phantom begins to fall in love with his winning student, and in return she begins to develop feelings for her mysterious teacher.
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Many at the Opera believe him to be a Phantasm of some sort, while Christine is under the delusion that she’s communicating with the spirit of her long lost father.
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In secret he coaches a new young actress named Christine Daae how to be a talented Opera singer, and dose all in his power to make sure no-one else takes her spot light. Adapted from the hit Musical by Andrew Lloyd Webber, “ The Phantom of the Opera ” tells the story of a dark and mysterious person who hides away in the dreary catacombs under a famous Opera House. I’ll do my best to review this as a movie on its own, and not in comparison to either the stage musical, or the original novel or the other horror movie versions. In general, despite the flaws I’d still personally rather watch a movie based on the musical as opposed to all the other horror movie versions of the character.
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It has short comings, but it’s not without some highlights. I’ll admit I didn’t care much for this film upon my first viewing, but it’s kind of grown on me over the years, to the point where I don’t think it’s that bad. One musical adaption that didn’t do so hot was the 2004 movie “ The Phantom of the Opera”, and is often regarded along with “ Burlesque” to be one of the weaker musicals of the new millennium. Over the years many of the classic stage musicals were given the big screen treatment, and most of them turned out quiet successful including “ Sweeney Todd” and “ Les Miserables”. Then at the start of the new millennium, the musical genera sprung back to life with gigantic hits like “ Moulin Rouge” and “ Chicago”. Movie musicals have gone through various highs and lows over the years, and at one point between the mid-80’s and the 2000’s it seemed that musicals were shinning brightest on stage, while the movie musical was all but dead.